Showing posts with label alternative models. Show all posts
Showing posts with label alternative models. Show all posts

Saturday, July 13, 2024

One Location, Two Models


 







Some photographers seem to default to a set location, which to me can quickly become tired and doesn’t necessarily work with the model(s) concerned. I don’t but every so often, make exceptions. Mary wanted me to do some promotional portraiture and related business themed headshots. Krystal got in touch saying she would be in the area that week and essentially, asking if I was coming out to play...Spoiler alert, the answer was yes to both.  

On both occasions, I chose the Neptune quay area of Ipswich given the mix of peely paint porn, abandoned buildings, high quality murals and of course, the marina. Though I used some of the same locations for both, I deliberately avoided carbon copies. Krystal and I found a very obviously derelict looking building and steel door with obviously receding paint. She and I have worked together for years and enjoy the unbeaten path.  

Mary had only worked with me on one previous occasion, so I was wary of leading her away from the immediate area and where she felt most at ease. Often, it’s about making the best of your environment. Noting Mary had a faux leather “Brando” jacket, I posed her with this Kawasaki. Krystals very bold red dress saw us employ the phone box, the buoy while the tunnel and skate park made effect contrasts.  

There were some interesting alleys and features-suitably public but set back from potential, unwelcome intrusionThis was another opportunity to use the full frame A7 and dedicated 50mm prime lens. Mary’s entire shoot was captured with the A7, Krystals a mix of the A7 and A6300 with wider angle lens    

Saturday, March 23, 2024

Vintage Visions on a Wintry Day







It had been a while since Krystal, and I’d caught up and we both fancied a change from the day to day. She posed a vintage theme of lingerie; dresses and we’d even toyed with the idea of derelict buildings as a backdrop. Ultimately, and for several reasons, we elected to shoot from her home. Good thing too, given the torrential rains.  

 

Thankfully, her home had a reasonable amount of natural light and I’d brought flashgun, soft box, portable lighting, low light prime lenses, and reflector. I shot several frames outside, from her summer house in the drizzle. Thankfully, I had the A6300 body which has some weather sealing- shot at F1.8 with a Viltrox prime lens.  The other option is sheltering beneath a smaller umbrella and shooting. However, depending on the shutter speed and other settings, it runs the risk of some camera shake, resulting in blur. 

  

Indoors, given the low cloud, I alternated between the 6300 mounted on a tripod and the A6000 with prime lens and Godox flashgun. Coffee, breaks, chat- general and business the two hours flew by. Doesn’t it always when fun’s involved. I loaded up the car and headed back to post -process our chosen favourites.

 

Sunday, September 10, 2023

Risk it for The Rust...Jaywick and Krystal J













It had been a few years since I’d been to Jaywick and a few months since I’d shot with Krystal. I received a “Coming out to play?” email and fancied catching up. She’d had a challenging period in her life and wanted to shoot in part, as a creative distraction, a means of working through things. A philosophy, or mindset that resonates with me.


Jaywick is often presented as one of the most deprived areas in the UK and it’s certainly been starved of investment over the years. However, while romanticising poverty and deprivation is misguided, a palpable sense of community permeated.  


We started in a field, worked our way through to Jaywick Sands and some of the side streets. No one interfered or gave any cause for concern. Much of this is about being somewhere with a purpose, owning your space, and thus communicating that you have a right to be there.


In my experience, it’s also about being respectful and interacting graciously with those around you, while not courting attention. Arguably strong sunlight was our biggest challenge. I shot these with the A6000 and 33mm 1.8 and the A6300 with Sigma 60mm 2.8 (set to f 3.2 for most of these). 

 

Sunday, June 19, 2022

Guided by Godiva










No, Krystal did not disrobe, hop aboard this highly charismatic horse, and canter around Coventry (We were a good 125 miles away, for starters). However, they met at the close of our shoot and formed a very photogenic bond. I’ve worked with Krystal on many occasions, since 2018 and we have a shared fondness/fascination for derelict buildings/similar locations.  

She’d been in touch, wanting to shoot with a new dress and some accessories. I had been let down by another model (although ending a relationship with a coercive and controlling partner are suitably mitigating circumstances, in my book. All too common, too). Locations discussed and agreed, we wandered around, finding suitably backdrops collectively and at random.  


Some have suggested she is my muse. No, in short. We gel well professionally, but the muse construct is something that belongs in a very different era. Shooting aside, we do spend a decent amount of time discussing the business and indeed, experiences with certain parties.  

All captured using my trusty Sony A6000 body and Viltrox prime lenses.

Wednesday, February 9, 2022

Back to the Boatyard. Work, Rest & Play with Krystal J








 I received a “Coming out to play” invite from Krystal. She hadn’t a location in mind, so I suggested the Pin Mill Boat Graveyard. She was very excited by the slightly eerie vibe. We share a mutual fascination for derelict and abandoned places and this wavelength certainly helps cement the creative harmony. Krystal is an experienced model. She started with bridal and transitioned toward the “alternative” genre via custom motorcycle publications, including Back Street Heroes.  

I’d prepared for most eventualities- towels, bucket, solvent cleaner, snacks, change of clothes, waterproof hiking boots and first aid kit. However, we were able to shoot uninterrupted, save for the odd friendly greeting from dog walkers negotiating the wooded trail above. An elderly couple were also capturing the wrecks with their SLRs, so we kept a respectful distance.  

 

I was earlier than originally planned and traffic was light, so the tide was also in our favour. The final set was taken as the tide was racing in, but we had a good 90 minutes prior to that. All were shot using my Sony A6000 and A6300 bodies with Viltrox 23mm 1.4 and Viltrox 33mm 1.4 prime lenses.   

Saturday, December 15, 2018

Enchanted Forests & Freezing Promenades












Despite the wind chill dragging the air temperature down to 2 degrees, Krystal approached me in the context of a forest shoot. I wasn’t expecting her to model a line of lingerie (!) but she posed effortlessly and without complaint. Though these conditions ran the cold gauntlet, they greatly reduced the probability of encountering (not to mention, offending) dog walkers and other passers-by.
We shot about 20 frames, in twenty minutes before deciding it was time to move on. I had intended to bring a large blanket with me, so Krystal could (a) Remain warm (b) Preserve her modesty, in the event of someone showing up.
However, she’d already brought a sizeable winter coat, leggings and dealer boots. Garments that could be quickly donned/dispensed with, as need arose.
We concluded the forest looked uniformly bland, given the time of year. Krystal took this opportunity, to change into her second outfit. I’d spotted some agricultural equipment, along an adjacent farm track, so we employed these, as our second backdrop.
I had also noticed a partially cannibalised Land Rover…Being as it was languishing on private property, I was not prepared to pitch up and start shooting. Professionalism aside, trespass is one of those things, which can take a darker turn.
Though signage may say “Trespassers will be prosecuted”; chances are, not for the crime of trespass, rather the more serious charge of criminal damage. I attempted to contact the landowner, but no-one was home, so we shot a few final frames, against these logs.
Three days later, KA with fresh MOT certificate, I was gifted some unexpectedly free time. Bracing coastal winds meant plucking my cowhide pilots’ jacket, gloves and thermal skull cap from hibernation. I headed out to Walton on the Naze and Revved up Tea Hut. Warm welcome, good ambience and a new range, of cold beating beanies and hoodies…If you were stuck for stocking fillers.  

Playing with Light: In the Studio with Kym

  I do a lot of location work and lean toward natural light, but Kym invited me to come and shoot her in a studio context. We decided on a f...