Elle: Tall & Tattooed

 

I discovered Elle while having a wander around the portfolio hosting and networking sites. January, as most of us know can be a long, slow month, so I relish the opportunity to get creative. Alternative is one of those words, rather like Bohemian that has arguably been used to the point of losing its meaning.  

In a modelling context it refers to characteristics or features that arguably wouldn’t be of interest to high fashion and traditional model agencies. However, some highly experienced models can and do transition from the world of bridal and traditional modelling.  

Elle stands 5’10 tall, which certainly falls into the beautiful end sought by fashion houses and publications. She’d been modelling for a decade both here in the UK and Italy. We discussed themes and locations- neither of us shoot from our homes and for mutually appreciated reasons. Privacy and personal security being high up the list.  

Elle secured a hotel for our first meeting. We’d discussed some themes- bold and adventurous but without crossing into gratuitous nudity.  I was also keen to capture who Elle was and moreover, a comfortable model always produces better images. I always start a shoot with the emphasis upon clothed and then transitining slowly to nudity.  

Aside from establishing happy, comfortable rapport between both model and photographer, it allows me to see how someone stands, moves and evaluate how to pose them. I also make a point of letting the model lead, especially an experienced model such as Elle who knows her body and how to create flattering angles. During this phase ideas tend to flow seamlessly. Sometimes this translates beautifully in the final images, sometimes not but that’s all part of the creative process. Nothing ventured, nothing gained.  

These were shot using natural light, alternating between 25mm and 50mm prime lenses.  

One Location, Two Models

 

Some photographers seem to default to a set location, which to me can quickly become tired and doesn’t necessarily work with the model(s) concerned. I don’t but every so often, make exceptions. Mary wanted me to do some promotional portraiture and related business themed headshots. Krystal got in touch saying she would be in the area that week and essentially, asking if I was coming out to play...Spoiler alert, the answer was yes to both.  

On both occasions, I chose the Neptune quay area of Ipswich given the mix of peely paint porn, abandoned buildings, high quality murals and of course, the marina. Though I used some of the same locations for both, I deliberately avoided carbon copies. Krystal and I found a very obviously derelict looking building and steel door with obviously receding paint. She and I have worked together for years and enjoy the unbeaten path.  

Mary had only worked with me on one previous occasion, so I was wary of leading her away from the immediate area and where she felt most at ease. Often, it’s about making the best of your environment. Noting Mary had a faux leather “Brando” jacket, I posed her with this Kawasaki. Krystals very bold red dress saw us employ the phone box, the buoy while the tunnel and skate park made effect contrasts.  

There were some interesting alleys and features-suitably public but set back from potential, unwelcome intrusion.  This was another opportunity to use the full frame A7 and dedicated 50mm prime lens. Mary’s entire shoot was captured with the A7, Krystals a mix of the A7 and A6300 with wider angle lens.     

Vintage Visions on a Wintry Day

It had been a while since Krystal, and I’d caught up and we both fancied a change from the day to day. She posed a vintage theme of lingerie; dresses and we’d even toyed with the idea of derelict buildings as a backdrop. Ultimately, and for several reasons, we elected to shoot from her home. Good thing too, given the torrential rains.  

 

Thankfully, her home had a reasonable amount of natural light and I’d brought flashgun, soft box, portable lighting, low light prime lenses, and reflector. I shot several frames outside, from her summer house in the drizzle. Thankfully, I had the A6300 body which has some weather sealing- shot at F1.8 with a Viltrox prime lens.  The other option is sheltering beneath a smaller umbrella and shooting. However, depending on the shutter speed and other settings, it runs the risk of some camera shake, resulting in blur. 

  

Indoors, given the low cloud, I alternated between the 6300 mounted on a tripod and the A6000 with prime lens and Godox flashgun. Coffee, breaks, chat- general and business the two hours flew by. Doesn’t it always when fun’s involved. I loaded up the car and headed back to post -process our chosen favourites.

 

Risk it for The Rust...Jaywick and Krystal J

It had been a few years since I’d been to Jaywick and a few months since I’d shot with Krystal. I received a “Coming out to play?” email and fancied catching up. She’d had a challenging period in her life and wanted to shoot in part, as a creative distraction, a means of working through things. A philosophy, or mindset that resonates with me.

Jaywick is often presented as one of the most deprived areas in the UK and it’s certainly been starved of investment over the years. However, while romanticising poverty and deprivation is misguided, a palpable sense of community permeated.  

We started in a field, worked our way through to Jaywick Sands and some of the side streets. No one interfered or gave any cause for concern. Much of this is about being somewhere with a purpose, owning your space, and thus communicating that you have a right to be there.

In my experience, it’s also about being respectful and interacting graciously with those around you, while not courting attention. Arguably strong sunlight was our biggest challenge. I shot these with the A6000 and 33mm 1.8 and the A6300 with Sigma 60mm 2.8 (set to f 3.2 for most of these). 

 

Guided by Godiva

No, Krystal did not disrobe, hop aboard this highly charismatic horse, and canter around Coventry (We were a good 125 miles away, for starters). However, they met at the close of our shoot and formed a very photogenic bond. I’ve worked with Krystal on many occasions, since 2018 and we have a shared fondness/fascination for derelict buildings/similar locations.  

She’d been in touch, wanting to shoot with a new dress and some accessories. I had been let down by another model (although ending a relationship with a coercive and controlling partner are suitably mitigating circumstances, in my book. All too common, too). Locations discussed and agreed, we wandered around, finding suitably backdrops collectively and at random.  

Some have suggested she is my muse. No, in short. We gel well professionally, but the muse construct is something that belongs in a very different era. Shooting aside, we do spend a decent amount of time discussing the business and indeed, experiences with certain parties.  

All captured using my trusty Sony A6000 body and Viltrox prime lenses.