Georgia & The Storms

 

Georgia is an experienced model from Stoke on Trent. She’s also an experienced photographer, which can be incredibly helpful when setting up lighting, backdrops and conceptualising images. We discussed a mix of themes but when she remarked she doesn’t like being restricted by clothes, a tasteful nude set was the obvious route. I like to employ clothes and, other props to keep things interesting. There is a limit to the number of poses before things can become a little staid.  

Much of photography revolves around control of light but soft skills, such as rapport and effective communication before and during the shoot is similarly significant. An uncomfortable model is just as detrimental as a flat 1-, or 2-dimensional image. These were taken during storm Darragh using a mix of natural light and a single soft box, a 35mm F2 and 50mm 1.4.  

    

Bella Almost Bare

 

Bella and I had been discussing a few implied nude themes. The sort that showed enough to be suggestive and sensual but within the boundaries of what would be acceptable to family and friends were they seen in the public domain. She and I often say an air of suggestion and sensuality is harder to capture, but more pleasing than gratuitous nudity. We had discussed a theme ranging from the “Sunday morning” white blouse and lingerie to something closer to the matrix and then some bolder implied nudes using flowers. I had expressed a desire to capture a mix of colour and monochrome. Bella has very even skin tone which helps, but the contrast was further accentuated by using contrasting pale white lingerie. 

Norwich Bound to Bella

The fashion industry and by association, modeling have been widely criticised for their lack of diversity. I’ve discussed the inclusion of more diversity around height and body shapes, especially among some prominent high-street retailers. However, people from other backgrounds and ethnicities remain underrepresented.

Bella was born in Portugal but has spent most of her life, in Norwich. I’d spotted her a while back and had been keen to work with her, but opportunity eluded us, for one reason and another.  Bella knew a model I had worked with recently and was initially drawn to me, based upon her experience shooting with me. She liked my work and so we wasted no time comparing diaries.   

Bella began modelling for her friend’s GCSE photography course and it mushroomed from there.  We had discussed a few themes and settled on a mix of casual, dressy and lingerie.  

Given the contexts and themes, I prefer models to select locations where they are most familiar and comfortable. Some consideration and self-awareness are obviously key when conducting shoots in public spaces. However, for the most part, remaining respectful, while being calm, confident, and owning your space means passers-by stay at a respectful distance.   

We covered a decent amount of ground and are pleased with the results. I shot the majority of these with my faithful Sony A6000 and 33mm 1.4 lens, but I reached for my Fuji XT100 and 50mm prime for others. Cameras have attitudes in my experience and the Fuji XT100 and X100T tend to suit a less frenetic pace and reward with pin-sharp clarity, whether it's portraiture or street photography. Unfortunately, the SD card has been corrupted. Thankfully, I had only taken ten frames and hope to recover these.

 

Natalia: Bowled Over By The Lady from Moldova

Given the global pandemic and subsequent lockdown, social/model photography was on the back burner for a good ten weeks, or so. However, with the rules relaxed, approaches/proposals have slowly increased.  

Natalia is originally from Moldova and from a dance background, which was immediately obvious. We discussed a mix of lingerie/topless and art nude. She knew of some suitable locations (studios were still closed at this point and given the risks presented by pandemic, socially distancing is more easily managed outdoors).  

Multi-lingual, Natalia’s professionalism was immediately apparent from her pre-shoot communications, so I wasn’t surprised to find her arriving on time and impeccably prepared. Most experienced models can do their own make-up to a decent standard, but I was particularly surprised by her speed and precision in this respect.  

Given her dance background, I wasn’t remotely surprised by her technical ability, poise and understanding of her own body’s most flattering angles. Warm, emotionally intelligent, she was also extremely receptive to direction.  

Much as I suspected, in keeping with its neighbours, Moldova is socially conservative, so modeling (aside from high profile fashion/editorial work) is viewed with suspicion. Given the nature of this shoot, we were particularly discrete and remained unnoticed by passers-by.  

I’ve always fiercely adhered to distancing when working with models, so it will come as little surprise that I alternated between my Sony A7 with 50mm 1.8 lens and Sony Alpha with 85mm 2.8.