Body Art : Amy &MuA

 

I’d been approached by a makeup artist/body painter, via a portfolio hosting/networking site. His standard of work is very high, and I was flattered to learn he’d been keen to work with me for a while. Networking sites are a useful means of connecting with models, photographers and related professionals. Referencing and other important records are there, making shoots much smoother and safer.    

With this in mind, I gently swerved recommending specific models, since the very nature of bodypainting/makeup is a very intimate process. Any recipient needs to be completely comfortable with the artist, beforehand.  

As luck would have it, he had been talking with Amy Jade, prior to lockdown, so with restrictions being progressively relaxed, they mutually agreed to Thursday evening. This suited me, since extended hours of daylight were conducive to location shooting-public decency permitting.  

Some last-minute correspondence confirmed this was a comfortable proposition for all parties. The shoot itself was relatively short, about an hour, which was also the artist’s timescale for undertaking the design. Amy has tattoos, although these aren’t extensive, which also shortens preparation time, since additional coverage isn’t required.  

Ultimately model and MUA are happy with my work, and I enjoyed the experience.   

Morning Worship Amongst Falling Leaves

I specialise in working with newcomers and models returning to the profession. I have no upper age limit, but am reticent to work with anyone, younger than 21.

The reasons are varied both legal, moral and personal. I shoot a variety of styles, from fashion, portraiture and wedding to what’s termed implied and classic/art nude. Valid ID and record keeping are not the issue here.

Rather, I am aware of incidences, where 18-year old models have participated in a nude, or topless shoot without fully realising the implications. One was trying to reclaim and ultimately regain control of these intimate images.

Whether she had been unduly influenced, by a photographer, or had done so of her own volition was unclear. Unfortunately, she had signed a model release form, permitting the photographer to use such images, for his own and broader, commercial purposes.

I have also been approached by parents, managing their teenage daughter’s modelling schedules, wanting me to work with them. I always decline, since their communications suggest my personal and professional boundaries are likely to be pushed, or disrespected. My son is almost 16. Would I want him modelling at this age? No.   

That said; my emphasis upon thorough pre-shoot screening and communication means sometimes, I will “Take a view”. Some people in their late teens show better judgement and maturity than adults in their 30s. Nonetheless, clothed fashion, portraiture, or lifestyle are my limits.  

Paige MJ is a case in point. Aged 18, she had only been modelling for a matter of weeks and wanted me to shoot her, on location at Flitch Way in Braintree. She was seeking to create something edgy, with a punk flavour. Several messages were exchanged, specification agreed, and rapport established. We arranged to shoot 24 hours later.

Flitch Way is 15 miles of disused railway running from Braintree and Bishop’s Stortford. Flat and well surfaced, the shared access path is popular with cyclists, horse riders and walkers. Its also blessed with a wealth of interesting backdrops, including artist grade graffiti.

Page had already experienced “Level pushing” from one “Photographer” offering way above the odds, for a topless shoot. This didn’t interest her and perturbed by his behaviour, she declined to work with him. Two hours later, we were pleased with the results. I would happily work with her in future.

Krystal also wanted to collaborate with me this week. She’d bought a new gothic black dress and some lingerie. We knew a suitably secluded location, thus unlikely to draw unwanted attention. Comfortable for her and conducive to seamless creativity.

That said; there is a creeping and very tangible sensation of being watched. Both of us have experienced this very acutely. We work fast and have an easy rapport, thus work very quickly together. Sure enough, after twenty minutes, a couple arrived in a car and sat, observing us. 

No approach was made, but we opted for a wardrobe change and an alternative location. While the colours are so vibrant, natural light and climate, kind, I wish to make best use of them.