Showing posts with label TFP. Show all posts
Showing posts with label TFP. Show all posts

Friday, March 8, 2019

Emmy






Basildon based Emmy, had expressed an interest in working with me, a few months back. She cited variety and quality, as the main attraction. Crucially, she was able to deliver a coherent paragraph, discussing ideas, shoot plans and desired locations. 
We had originally explored industrial backdrops, but she was keen to move towards more mainstream, fashion and portraiture. She had modelled during her late teens and enjoyed it. However, a very different career path and family followed. A familiar narrative and for me, a good indicator of genuine commitment.
There has been a rise of what I call “Insta models” (as distinct from pros, or serious hobbyists, with social media presence) who are essentially expecting instant fame and recognition. A complete waste of my time and other resources.
Many have asked me to work for “Exposure” i.e. free, citing the number of followers. There are exceptions to every rule. However, how frequently do you scrutinise film, or TV credits?  Nobody is looking at, or cares about the photographer, so “exposure” is a moot point.
TFP (Time for print) is where model and photographer collaborate, on a project. There may be a commercial end, say selling on the images and splitting profits accordingly. Something I will do, with selected models, at my discretion.
Otherwise, I respond, thanking them for reaching out, and with a scale of charges. The real risk, though particularly with the “Insta” model, is late, zero notice cancellations, or no-show.
In these instances, you are running at a considerable loss-all round. Time in preparation, hours that could otherwise be billed for, transport and other, on costs. At a conservative estimate, we’re talking £250 down the drain.    
I strongly suggest that an inexperienced photographer pay a model and vice versa to build their port-folios. This is an investment and rewards with vastly superior results-for both parties. Simple.
So, having cured my Sony and Samsung’s autofocusing gremlins, we worked around a local park and woodland area. Being term time, people traffic and interruptions were minimal.
High and blustery winds were another contributing factor. However, these kept rain at bay. They also added motion to Emmy’s long brown hair, and in my opinion, a more intense flavour. 


Playing with Light: In the Studio with Kym

  I do a lot of location work and lean toward natural light, but Kym invited me to come and shoot her in a studio context. We decided on a f...