Blue: Tattooed Dancer

 

Blue has a dance background and approached me regarding shooting a range of themes, from lingerie to full-frontal nudes. Themes I am comfortable shooting, provided they tell a story and where appropriate, capture something of the model’s personality.

Blue was very personable, warm and engaging, which makes my job that bit easier, although I always make time to cultivate rapport before and during the shoot. I took these with a single lens-mounted reflector and using only window light.

Thankfully there was ample, negating need for slow shutter speeds and tripods, allowing me to weave about seamlessly taking frames while the conversation flowed, and Blue wasn’t overly aware of the camera- a technique I practiced while getting candid shots of people in industrial contexts. We achieved a pleasing amount well within the allotted two-hours and have agreed to shoot again at a mutually convenient time.  

Natalia: Bowled Over By The Lady from Moldova

Given the global pandemic and subsequent lockdown, social/model photography was on the back burner for a good ten weeks, or so. However, with the rules relaxed, approaches/proposals have slowly increased.  

Natalia is originally from Moldova and from a dance background, which was immediately obvious. We discussed a mix of lingerie/topless and art nude. She knew of some suitable locations (studios were still closed at this point and given the risks presented by pandemic, socially distancing is more easily managed outdoors).  

Multi-lingual, Natalia’s professionalism was immediately apparent from her pre-shoot communications, so I wasn’t surprised to find her arriving on time and impeccably prepared. Most experienced models can do their own make-up to a decent standard, but I was particularly surprised by her speed and precision in this respect.  

Given her dance background, I wasn’t remotely surprised by her technical ability, poise and understanding of her own body’s most flattering angles. Warm, emotionally intelligent, she was also extremely receptive to direction.  

Much as I suspected, in keeping with its neighbours, Moldova is socially conservative, so modeling (aside from high profile fashion/editorial work) is viewed with suspicion. Given the nature of this shoot, we were particularly discrete and remained unnoticed by passers-by.  

I’ve always fiercely adhered to distancing when working with models, so it will come as little surprise that I alternated between my Sony A7 with 50mm 1.8 lens and Sony Alpha with 85mm 2.8.