Showing posts with label anonymous. Show all posts
Showing posts with label anonymous. Show all posts

Friday, December 6, 2019

Daisy: Anonymous Nude







Out of the blue, I had an email from Daisy, a catwalk and commercial model, with nine years’ experience. Apparently, she loved my work and specifically, art nudes. Given her status and high-profile client base, more traditional nudes were a non-starter. Career suicide, in fact.



For a wealth of reasons, I am very particular about who I will undertake nude commissions with. Though there is a huge difference between erotica and pornography, gratuitous nudity, or tabloid “Glamour” work has no draw for me.  



Standing 5’11 tall and weighing 9.5 stone, her lithe, yet extremely feminine figure were perfect for creating intriguing shapes and close-up body-scapes. Given anonymity was the overriding theme, I discussed a slightly surreal element. One that Daisy seemed amused by. Bottom line (and this goes for any trade/profession) never ask someone to do something they do not feel confident, or comfortable with.



Though fluidity does strike during shoots, they must always remain within the boundaries agreed. I’ve had models book me for lingerie/boudoir themes, then feel midway, they’d like to try topless/implied. I gently decline. People often do things in the heat of the moment, without considering the longer-term consequences. I may consider this level, as a separate booking, a few weeks later. Once I am confident they have thought it through.   



Having established terms of reference, perimeters and levels, I loaded up my KA with Sony Alpha and A7 bodies, 50 and 30mm lenses. Portable lighting and reflectors, spare batteries and a full tank of fuel.



Thankfully we were shooting on a bright day and the building had a good supply of natural light. Never underestimate the importance of ambient temperature, when undertaking nude, boudoir or similar genres, either.

The anonymous aspect means covering the face, either with hair, masks, or similar props. This can leave the model feeling acutely vulnerable. Especially, if they are unfamiliar with the photographer/assistant. Therefore, I maintain a running dialogue, saying where I am, and what to expect next. I also break regularly, so both parties can review the work.



This reveals what we’ve achieved, where to go next, what worked and sometimes, what didn’t. We noted a couple of shots, which were more explicit than either had intended, so these were deleted. Solid rapport lead to the shoot overrunning slightly, but time is another boundary that must never be overstepped.  



An extremely rewarding shoot with a delightful woman and a consummately professional model.  
  


Playing with Light: In the Studio with Kym

  I do a lot of location work and lean toward natural light, but Kym invited me to come and shoot her in a studio context. We decided on a f...