Showing posts with label fashion photography. model port-folios. Show all posts
Showing posts with label fashion photography. model port-folios. Show all posts

Saturday, June 19, 2021

Crop Tops & Corsets: Some more Frames with Silvai













 Silvai reached out, inviting me to do another portfolio building shoot while conditions remained conducive to a summery, location-based theme. 

Silvai is both quirky and enigmatic. Going with the flow and letting her lead seems to reap best rewards, although any shoot requires planning and I need some basic outline beforehand.  

Aside from selecting suitable equipment, I can make an informed choice from which to accept or decline a commission. For example, I will not shoot nudes with anyone under 21. Yes, it’s perfectly legal at 18 but while something might be legal, it's not necessarily best.  I prefer models to have more life experience and recognise the potential implications, before going this route.      


Corsets, Crop Tops and Biker Jackets were her themes and we shot across two locations. She wanted me to emphasise her height. She’s 5’9 (1m 75) which is favourable for general modelling. The Corset shots were taken with me laying on the ground using my Sony 6300 and 35mm lens at F3.2. Biker jacket and crop top using my Sony A7 and 50mm at 1.8. 

Thursday, January 17, 2019

Shooting with Sam







Sam is a novice model, who wanted to cultivate a strong port-folio. While modelling has certainly become less prescriptive, male models seeking editorial and fashion assignments should stand at least 1m80 tall. 
Sam stands 1m90 and weighs a commensurate 86kilos. He is looking toward fashion and lifestyle but very keen to avoid nude, implied, or similarly provocative style. Genres which might compromise his career prospects, beyond modelling.
Based in Chelmsford, Southend was within easy reach for both of us, and offers a decent mix of backdrops.
Having met by Southend Central Station, I took him to a favourite row of murals and shot a few frames to warm up, gauge camera settings and put him at ease. Several large retail outlets had folded, their premises shuttered and seemingly derelict. However, street homelessness was less apparent than September, when I shot with Gena Rose.
I didn’t want to reuse those backdrops, so we moved to London Rd. An alleyway, behind a row of derelict shops, to be precise. I was looking for a wrought iron/similarly industrial looking staircase.
These would provide a slightly edgier feel, while accentuating his height and build. Though seemingly deserted, being the alley was a dead end we needed to shoot quickly.
I switched to my Samsung NX3000 and 30mm f2 lens.
Discarded cans of lager, baby baths and a decomposing sludge also prompted more careful risk assessment.  Despite the heightened sense of alert, we progressed, uninterrupted and at a calm, purposeful pace for fifteen minutes.  
Next destination was a coin operated (and seemingly) self-service, Launderette.
Aside from two women (who later revealed they were hoping Sam was going to re-enact the iconic 1985 Levi’s 501 commercial) we were left in peace, to tweak settings, retouch hair, and thaw out a little.
Our audience was gracious but neither of us fancied a long, potentially difficult explanation, with an attendant, or owner. So, we smiled, nodded and moved to more salubrious, residential side streets. I’d parked along one, and clocked some garage doors, with peeling paint. Perfect.
Being private property, I knocked at the house. No-one was home, or at least, willing to engage. Therefore, being in full view of passers-by I directed Sam for several frames, and a total of ten minutes. By this point, (a good 90 minutes in) I decided we’d earned lunch, and a break.   
Re-fuelled, we headed to the Kursaal, and to our final set, since more wintry weather and low cloud were beginning to encroach. The old Grosvenor rock factory, and shuttered arcades proved perfect backdrops.
Heading back towards the station, we were approached by a young man, begging for money. I will buy food/coffee/similar but don’t give cash, since it is often used to fuel an addiction.
Something that became very apparent, when the man’s trouser leg lifted, revealing a badly ulcerated calf and foot, complete with track marks…All too prevalent in the once proud, and bustling seaside towns.  

Playing with Light: In the Studio with Kym

  I do a lot of location work and lean toward natural light, but Kym invited me to come and shoot her in a studio context. We decided on a f...