Showing posts with label location shooting. Show all posts
Showing posts with label location shooting. Show all posts

Sunday, January 18, 2026

Karolina


 






I’d had a few postponements due to sickness and other unavoidable circumstances, and needed to tame the midwinter blues (not to mention a dental abscess) with some creativity. Enter Karolina, I’d noted she’d modelled in the recent past and was very striking.

We settled on a location-based winter fashion and portraiture theme. The port town was convenient and familiar to both of us. Standing 5’1 (155cm) she was petite. While this is considerably shorter than the traditional 5’7 (170cm) baseline for fashion models, there are other avenues to explore, and there’s more scope when it comes to posing and angles.

For example, by lying down, I can give a real sense of height. Doing the same with someone standing 6ft 2 (1m88) will make them look cartoonish- fine if you’re looking to recreate the “Attack of the 50ft Woman” vibe, but hardly flattering. We agreed on a 1400-1600 shoot, since this was most convenient for her and still allowed a decent amount of natural light.

Sunday was a similarly good fit, since there would be fewer people around. Experience says the public is generally respectful, but can also encroach and let well-intentioned curiosity get the better of them. Continuing this narrative, Karolina brought two outfits and accessories, allowing for variety and more convenient changes-an important consideration, especially in built up areas. 

I used whatever spoke to us in the immediate environment and some useful props, including this Kawasaki presented- Karolina proved very self-aware, posed fluidly, yet was very open to direction. She could also sense the Kawasaki’s draw for me and worked creatively around it. Light was beginning to fade come the close of our session, but no issue with a small reflector 50mm 1.8 and 33mm 1.4 lenses. I’m pleased with the results and look forward to working with her in future.                       

Sunday, December 7, 2025

Molly Marie Portraiture & Precipitation


 









 

Molly Marie and I had worked together on several occasions. This time, she wanted some updated head shots and portraiture. We’d agreed on a mutually accessible location and time. Natural light is in fairly short supply during December, done by 1500hours. 

In the UK, winters tend to be wet and mercifully, forecasts are very accurate, although not foolproof by any means. In this instance, the rains held off for 50 minutes, before a persistent drizzle set in. Model comfort is paramount, and, in these contexts, weather sealed camera bodies come into their own, protecting the internals, while also permitting other creative opportunities. 

The A6300 is resistant to dust and light, drizzly rain, but not extended exposure, and this also applies to the Sony A7. Fearing I might shrink and Molly’s hair turn to frizz; we found a liberally graffitied underpass and shot for a further 30 minutes using a reflector and 6300 with 1.8 50mm and 6000 with 23mm 1.4 lenses. By that point, we headed to a local cafĂ©’ to reflect, consume hot beverages and in my case, dash to the toilet. Us old boys and our bladders….

 

Tuesday, June 17, 2025

Down By The River With Elle


 






Elle and I had last shot together at the close of January, so I was pleased when she suggested a location themed shoot. The directive was a little loose but a mix of swimwear, lingerie and some topless. This required a fitting location that was within mutually convenient travelling distance.

I suggested a couple and both resonated with her. Suitably discreet, where were unlikely to encounter dog walkers and young families. Children and nudity don’t mix, yet not too secluded that either party might feel uncomfortable. The entrance I had chosen wasn’t as picturesque as we’d hoped but sometimes it’s about thinking laterally and making best use of your environment. 

I had defaulted to the Sony A6300 and 50mm 1.8 prime. 50mm primes are often referred to as the “nifty fifty” given their versatility and they are a great choice for portraits and headshots. Though she wasn’t overly taken with the immediate surroundings, the use of bokeh ensured she was the main focal point. Ultimately, we were happy with the images captured during our two hours. 



Wednesday, May 22, 2024

Carla









Carla is an aspiring model and had clearly gained confidence through a series of earlier shoots. She had also received good mentoring from photographers and a model I’ve had a long-standing professional relationship with. Carla had noted my relatively close regional proximity and got in touch, asking to shoot. Her manner of approach, existing portfolio and location held my attention and we quickly thrashed out some dates and themes.  

Being as we’d not worked together, I suggested we do two hours of fashion-based work and she should bring herself i.e., garments she felt comfortable and empowered in; while presenting an opportunity for her to model something she hadn’t been able to. We decided upon a forest/woodland backdrop.  

I knew a good public space but one where we weren't likely to be interrupted frequentlyShe brought along a large bag and three changes, which was perfect. The first a light summery sheer dress and pale denim jacket, a pale blue “Alice in wonderland” style tea dress and a button-down, figure-hugging denim dress.  

I began with my traditional ice-breaker headshots and candid portraiture and from there, the shoot flowed very seamlessly. There were lots of sheltered areas making it relatively easy to achieve a uniform, even light and on another practical note, plenty of trees and foliage to change discretely behind. We did have the occasional speeding Spaniel but otherwise passers-by remained at a very respectful distance. 

There had also been rain forecast but we had bright sunshine and temperatures in the early 20s. I had brought an umbrella, in case of a heavy shower, which coupled with the 6300 body (which has weather sealing) would’ve made for some dramatic effects. Either way, we accomplished a decent amount in the two hours, Carla was pleased with the results, and we’ve agreed to shoot again in future. 

Friday, May 17, 2024

There's Something About Mary...







Mary had never modelled before but had a background in cosplay and making her own costumes, coupled with some acting experience. Being her first shoot and not having worked together in the past, we agreed on a fairly simple theme and set in a very public, park-based location of her choosing. She was initially a little nervous but relaxed considerably as the shoot progressed, Nothing new there. 

Model and photographer tend to produce their best work towards the end of the shoot when rapport and synchronicity is hopefully at its best. I was also keen to produce images that she could use in other commercial/professional contexts. Hence the portraiture. The  Cosplay dress she wanted to model had the potential for slippage and potentially exposure, so something best suited to a studio. 

Hence, our decision to err towards something more fluid and relaxed. For portraiture-based sessions, I go for a relaxed, conversational style, which sets the model at ease, thus letting their personality come through. I also factor regular breaks to review, rest, and reflect upon where we have been and the next frames. Mary was very pleased with the results of this two- hour session and we’re at the discussion stage of a second shoot.

Friday, September 15, 2023

Bella & Kristen









 Bella invited me to do another shoot and this time with her friend Kristen. I’ve only done a couple of duo shoots and I’m usually very cautious if I don’t know one, or indeed both parties. Having worked with Bella on two earlier occasions, I was confident she would choose someone who had a similarly professional attitude.  

They were eager to continue the lingerie theme of our last shoot but in a woodland setting. The window of opportunity was short, given the potential temperature and lighting constraints, so they wanted to shoot promptly. Thankfully, we had free time the following week, which was dry and more temperate. We’re talking high teens, which is still comfortable for lingerie and to a lesser extent glamour themes.  


Bella had chosen a location in Drayton, which was suitably secluded and at that time of day, had minimal footfall- the odd dog walker and mountain biker. In practice, this also included the odd teenager taking the scenic route home, but they kept a respectful, if slightly awkward distance. Kristen is new to modelling, which is significant since bad experiences mean I generally politely swerve aspiring models. However, there are (almost) always exceptions to any rule and in this instance, the gamble paid off.   


Bella is 5’7 (1m70) Kristen is slightly taller at 5’9 (1m80) both within what some suggest is the ideal height for a female model. This also made for a very compatible pairing, given the theme they wanted to exploreI tend to break the ice and test settings by starting with portraits and headshots.  


A technique I’m told Kristen appreciated and helped establish a comfortable rapport. Two hours is generally my sweet spot for shooting, especially with newer models. It allows for rapport, changes in style/pace, and breaks to recap and recharge. This set was taken using my faithful A600/Viltrox 33mm (about 1.3 in) 1.4 and A6300 with 60mm (about 2.36 in) Sigma 2.8 (set to f.3.2). 

Sunday, July 19, 2020

Ana







Ana is a new model who was encouraged by Krystal J https://stenningphotographic.blogspot.com/2018/07/delight-in-decay-some-shoots-with.html to approach me, in the context of booking a portfolio building session. Like many aspiring models, she is building a portfolio in parallel with another career and while being furloughed, due to Covid19. I typically stipulate that models must be at least 21 years old but will “take a view” depending upon the commission’s nature and the model’s maturity.
  
Recommendation in this instance certainly fast-tracked matters. Nonetheless, I still needed to evaluate her and devise a mutually agreed shoot proposal. Pre-shoot communication was suitably good, and she had a clear (though not inflexible) idea of the images she wanted to create. 

I suggested a mix of portraiture and classic fashion-with a view to some being converted to deep monochrome.  These were taken with My A6300 and 50mm 1.8 lens.  

She arrived promptly, well-prepared, and ready to work. Three hours and several locations later, we concluded our first session. Her confidence is growing, and I’d be happy to work with her again, down the line.  

Karolina

  I’d had a few postponements due to sickness and other unavoidable circumstances, and needed to tame the midwinter blues (not to mention a ...