Sophia

Sophia approached me wanting to update her portfolio, to reflect her new, much shorter hair and to experiment a little. I’d worked with her previously, in 2018 so was pleasantly surprised she remembered me. We decided to shoot down by the Orwell Bridge and thankfully, the weather and lighting were conducive to this. Images were taken using Sony A6000, A6400, Viltrox 50mm 1.8 and 1.4mm prime lenses.  

Ayla

 

I’d been wanting to work with Ayla for some time but opportunity, not to mention the pandemic had frustrated this.  A chance conversation in October led to us working through a shoot plan, and ultimately shooting at her home.  

Good pre-shoot communications are paramount, but rapport and trust between photographer and model usually take time to develop. For this reason and regardless of experience, I prefer models to set the pace. 

We warmed up with some flirty fashion, slowly progressing through lingerie, boudoir and art nude. I also brought some props and Ayla unleashed her creativity. Conversation flowed naturally and the two hours proved incredibly productive.  

Most of this set was taken using natural light, Viltrox 23mm 1.4 prime lens and Sony A6000 body, although I used a 50mm 1.8 counterpart and Sony A7.   

* All images copyright Stenning photographic *

Catching up With Krystal: Boho Dresses & Borrowed Bicycles

 It had been a good while since Krystal, and I worked together. She had retired from modeling, wanting to concentrate on mentoring new models and the fashion/clothing side of the business.   

Out of the blue she emailed, saying she wanted to shoot with some dresses and a traditional “roadster” bicycle complete with panniers, dynamo and basket.  Given COVID is still very prevalent, I am being very careful about who and where I will work. Presently, studios are off but I’m agreeable to open, sparsely populated locations, theme allowing. 

We met at the location and enjoyed a very relaxed shoot, much of our conversation revolving around the business, and comparing notes regarding new models we had worked with. The good, the bad, and the downright bizarre. One common narrative was their desire (and expectation) for instant recognition.  

Some aspiring models have expected to be snapped up and agency represented within a week. Constructive tempering of expectations is met with defensive disgust and quite often, tirades on social media. However, we also discussed some very good debutants who were personable, willing to learn and looking toward building a solid career. I was also touched to learn she recommends me to new models she feels show promise.   

Long story short, it was lovely to work and catch up with Krystal again and I'm pleased she was happy with the results.