Showing posts with label eerie. Show all posts
Showing posts with label eerie. Show all posts

Wednesday, December 29, 2021

Ship To Shore...











 A combination of Christmas and Covid surges meant shooting models and indeed, people generally were off the table. Determined to get creative behind the lens. Poor weather and low light were similar things to negotiate, and I didn’t fancy a mission, distance-wise. 

Then came a tip-off about a boat graveyard, around 35-40minutes from me. Cursory checks of tide times, parking, and general conditions deemed it viable, so I set off at 730am the next morning. Easily accessed, the site is decidedly eerie, was a palpable sense of being watched. Nonetheless, I was undisturbed for 45 minutes, whereupon I felt it best to discretely plod on home...  

Monday, August 20, 2018

All Welcome in The House of God…








Except possibly, the photographer…Yes, I can recount stories of wedding photographers, arriving at the church, only to find themselves barred surly clergy.

During our last shoot, Krystal expressed an interest in a gothic church/graveyard theme. I knew just the place. However, research, planning and forward preparation are crucial to success.

So, as you should, when purchasing residential property, I took a few trips at various times, assessing whether we were likely to attract the wrong sort of attention. Discretion is the better part of valour-conflict with and distress to, others are ideally, avoided. 

Location sussed and agreed, we arrived at 11am. “They’re Coming to Get You Barbara” we mused, referring to the classic line from George A Romero’s “Night of The Living Dead” 

Regardless of time/season, this location is very eerie.There’s a very real sense of being watched. While evaluating the best place for Krystal to change, a young, modestly dressed woman materialised. She appeared to be engaged, on her phone but intuition told us, she was observing and moreover, taking snapshots of us.

I looked her in the eye, acknowledging her with a nod. She smiled, and a few moments later, Krystal emerged from the trees. From that point on, we were left to our own devices, although that sensation of being watched never relented. As I’ve said in previous entries, public shoots are double edged swords.

On the one hand, completely transparent. There’s no suggestion of theft/criminal damage. Conversely, it can attract the wrong sort of attention. Krystal and I have worked together many times. An easy rapport certainly helps. Within 30minutes, we’d got the results we’d hoped for and moved on, to other locations. Next on her shoot list is a fairground/carousel theme.



Georgia & The Storms

  Georgia is an experienced model from Stoke on Trent. She’s also an experienced photographer, which can be incredibly helpful when setting...