Bodyscapes & Broken Camera Bodies

Bodyscapes are something I do from time to time and often as a way of introducing something interesting/quirky to a fine art shoot. After all, even with a highly-skilled, imaginative model, there are a finite number of possible poses. 

The most obvious route, and one I often take is asking the model to bring along scarves, lingerie to mix things up. It’d been the best part of eight months since Venise and I last worked together but she was excited by the brief and moreover understood it very well.  

There are exceptions to every rule. However, any kind of nude project requires comfort and excellent rapport between model(s) and photographer(s). Not something I would consider with an inexperienced model-unless they’d been a life model or similar before. 

I’d bought the model motorcycles for pennies on a popular auction site for this project during lockdown and the Samsung NX300 body had been stuttering and stammering for a good while. Essentially a pretty paperweight, I liked the retro rangefinder styling and we both felt it a better fit, (metaphorically and literally) than my default Minolta SLR. 

My little pear tree bestowed some fruit this year, so we reasoned it rude not to deploy its gift.  I shot these from her bedroom using natural, my Sony A7, and 50mm 1.8 lens. Not to everyone’s tastes perhaps, but we were pleased with the results.  

 

Bobbin

 Given the pandemic, I had been wary of shooting in confined spaces-studios or otherwise. Therefore, I cautiously took a drive to Rayleigh and spent an hour with Bobbin.  

Bobbin is a part-time model who has run this career in parallel to another in social care. She is warm, very self-aware and double jointed. Three attributes that certainly contribute to the creative process.  

Though not from a traditional “dance” background tone and definition developed through swimming were also very evident. Social distancing was very straightforward and easily maintained with a 50mm prime lens-in this instance, my full-frame E-mount. Being a studio setup, these were synced at F16 and 1/125.  

The A7, A600 and A6300 bodies are my studio defaults since remote triggers have proved anything but harmonious, with the older, Alpha series. Sheer and lingerie were our main themes with a quick bit of portraiture and headshots to break the ice. An hour of my time and very wisely spent. 

Ana

Ana is a new model who was encouraged by Krystal J https://stenningphotographic.blogspot.com/2018/07/delight-in-decay-some-shoots-with.html to approach me, in the context of booking a portfolio building session. Like many aspiring models, she is building a portfolio in parallel with another career and while being furloughed, due to Covid19. I typically stipulate that models must be at least 21 years old but will “take a view” depending upon the commission’s nature and the model’s maturity.

  

Recommendation in this instance certainly fast-tracked matters. Nonetheless, I still needed to evaluate her and devise a mutually agreed shoot proposal. Pre-shoot communication was suitably good, and she had a clear (though not inflexible) idea of the images she wanted to create. 

I suggested a mix of portraiture and classic fashion-with a view to some being converted to deep monochrome.  These were taken with My A6300 and 50mm 1.8 lens.  

She arrived promptly, well-prepared, and ready to work. Three hours and several locations later, we concluded our first session. Her confidence is growing, and I’d be happy to work with her again, down the line.  

Sonya

    

Sonya is a qualified diver, who had recently discovered modeling. She’s also a part-qualified accountant and runs a successful bookkeeping business. Due to some very bad experiences, I have all but stopped working with novice models. However, there are exceptions and I am happy to make them, where I see genuine commitment, ability and professionalism.  

I’m pleased to report Sonya has all these attributes, in spades. The brief was a street lingerie theme, which had amazing potential but needed careful planning and the ability to change, pose and shoot quickly.  

We needed to start early, in order to avoid drawing unnecessary attention, inducing discomfort from passers-by. We met at 730 and commenced within 15minutes. The tide was out, which inspired us to start on the beach using some boats as a backdrop.  

I spotted what I believed was a decommissioned gunship. It was indeed a gunship, but less abandoned that I thought and by the time we’d reached it, we were also calves deep in very gloopy, tenacious mud. Not the most auspicious start, although it broke the ice and we achieved some technically pleasing results.   

Having reconvened to our vehicles for some refreshments and cleanup, we resumed shooting along Old Leigh’s cobbled streets, Sonya had already dressed in her desired lingerie from the privacy of her car, while I fed parking meters and rummaged in the KA’s boot for a suitable change of footwear. A sheer gown preserved her modesty while mitigating some of the morning chill.  

Thankfully, we had the streets, largely to ourselves. It was busier than we’d anticipated but any passing people/vehicle traffic was very respectful, meaning we could meet her exciting and potentially challenging brief with minimal fuss.  

She moved seamlessly between poses and showed an ability rivaling that of some established models I have enjoyed working with. By 945 we were finished and went our separate ways. These were shot exclusively with my Sony A6300 and 50mm 1.8 lens. 

I am relieved she is delighted with the results and would welcome the opportunity to work with her on future commissions   

Natalia: Bowled Over By The Lady from Moldova

Given the global pandemic and subsequent lockdown, social/model photography was on the back burner for a good ten weeks, or so. However, with the rules relaxed, approaches/proposals have slowly increased.  

Natalia is originally from Moldova and from a dance background, which was immediately obvious. We discussed a mix of lingerie/topless and art nude. She knew of some suitable locations (studios were still closed at this point and given the risks presented by pandemic, socially distancing is more easily managed outdoors).  

Multi-lingual, Natalia’s professionalism was immediately apparent from her pre-shoot communications, so I wasn’t surprised to find her arriving on time and impeccably prepared. Most experienced models can do their own make-up to a decent standard, but I was particularly surprised by her speed and precision in this respect.  

Given her dance background, I wasn’t remotely surprised by her technical ability, poise and understanding of her own body’s most flattering angles. Warm, emotionally intelligent, she was also extremely receptive to direction.  

Much as I suspected, in keeping with its neighbours, Moldova is socially conservative, so modeling (aside from high profile fashion/editorial work) is viewed with suspicion. Given the nature of this shoot, we were particularly discrete and remained unnoticed by passers-by.  

I’ve always fiercely adhered to distancing when working with models, so it will come as little surprise that I alternated between my Sony A7 with 50mm 1.8 lens and Sony Alpha with 85mm 2.8.