One Location, Two Models

 

Some photographers seem to default to a set location, which to me can quickly become tired and doesn’t necessarily work with the model(s) concerned. I don’t but every so often, make exceptions. Mary wanted me to do some promotional portraiture and related business themed headshots. Krystal got in touch saying she would be in the area that week and essentially, asking if I was coming out to play...Spoiler alert, the answer was yes to both.  

On both occasions, I chose the Neptune quay area of Ipswich given the mix of peely paint porn, abandoned buildings, high quality murals and of course, the marina. Though I used some of the same locations for both, I deliberately avoided carbon copies. Krystal and I found a very obviously derelict looking building and steel door with obviously receding paint. She and I have worked together for years and enjoy the unbeaten path.  

Mary had only worked with me on one previous occasion, so I was wary of leading her away from the immediate area and where she felt most at ease. Often, it’s about making the best of your environment. Noting Mary had a faux leather “Brando” jacket, I posed her with this Kawasaki. Krystals very bold red dress saw us employ the phone box, the buoy while the tunnel and skate park made effect contrasts.  

There were some interesting alleys and features-suitably public but set back from potential, unwelcome intrusion.  This was another opportunity to use the full frame A7 and dedicated 50mm prime lens. Mary’s entire shoot was captured with the A7, Krystals a mix of the A7 and A6300 with wider angle lens.     

Bella Sensual & Concealed

I am often asked what differentiates boudoir from glamour photography. In a nutshell, I would say glamour is where a woman is typically sexualised and objectified, whereas boudoir has a wider narrative, of which the model is part of. More significant is both parties in mutual agreement over levels and tone.  

Bella is extremely comfortable with concealed and implied nudity but nothing more overt. Concealed, in common with art nude and erotic can mean different things to different people. I suggested a few concepts which Bella wasn’t unduly comfortable with, so we shelved them. We have worked together on several occasions, which makes these themes much easier.  

I have undertaken boudoir and lingerie themes where the model has towards the end, wanted to raise the level to topless. I will always gently decline, inviting them to contemplate this further, away from “the moment”. If after ten days or so, they still want to try topless, or indeed nude themes, they can get back in touch and we’ll do a shoot plan and arrange a mutually convenient date.  

Again, this reinforces the importance of proper shoot planning and clear communication around expectations and terms of reference-all ahead of the shoot. She approached me on Thursday, and we’d thrashed out a theme, lingerie, lighting, angles and locations that morning, arranging to shoot that Sunday morning.    

Our primary focus was sensuality, interwoven with more playful themes. Bella was keen not to have her nipples on view within the shots and as can happen, there were a few we spotted when reviewing every twenty minutes or so. These were accidental captures-we hadn’t noticed the sheet slipping at certain points.  

Comfort and complete trust between model and photographer are paramount and if either party is slightly uneasy, this will bleed through in the images created. Again, there’s a fine line between capturing something intimate (where the model has invited you into their world) and voyeurism, where someone has invaded it. Given the limited space and changeable lighting, I took those with her beneath the satin sheets using my full frame A7 and 50mm 1.8 lens, those of Bella with the maracas using the A6300 and 33mm 1.4 lens.