Bodyscapes & Broken Camera Bodies

Bodyscapes are something I do from time to time and often as a way of introducing something interesting/quirky to a fine art shoot. After all, even with a highly-skilled, imaginative model, there are a finite number of possible poses. 

The most obvious route, and one I often take is asking the model to bring along scarves, lingerie to mix things up. It’d been the best part of eight months since Venise and I last worked together but she was excited by the brief and moreover understood it very well.  

There are exceptions to every rule. However, any kind of nude project requires comfort and excellent rapport between model(s) and photographer(s). Not something I would consider with an inexperienced model-unless they’d been a life model or similar before. 

I’d bought the model motorcycles for pennies on a popular auction site for this project during lockdown and the Samsung NX300 body had been stuttering and stammering for a good while. Essentially a pretty paperweight, I liked the retro rangefinder styling and we both felt it a better fit, (metaphorically and literally) than my default Minolta SLR. 

My little pear tree bestowed some fruit this year, so we reasoned it rude not to deploy its gift.  I shot these from her bedroom using natural, my Sony A7, and 50mm 1.8 lens. Not to everyone’s tastes perhaps, but we were pleased with the results.  

 

Bobbin

 Given the pandemic, I had been wary of shooting in confined spaces-studios or otherwise. Therefore, I cautiously took a drive to Rayleigh and spent an hour with Bobbin.  

Bobbin is a part-time model who has run this career in parallel to another in social care. She is warm, very self-aware and double jointed. Three attributes that certainly contribute to the creative process.  

Though not from a traditional “dance” background tone and definition developed through swimming were also very evident. Social distancing was very straightforward and easily maintained with a 50mm prime lens-in this instance, my full-frame E-mount. Being a studio setup, these were synced at F16 and 1/125.  

The A7, A600 and A6300 bodies are my studio defaults since remote triggers have proved anything but harmonious, with the older, Alpha series. Sheer and lingerie were our main themes with a quick bit of portraiture and headshots to break the ice. An hour of my time and very wisely spent.